The deadline for all Primary construction Planning and Research tasks is the 20th October!
All planning & research for the primary construction and ancillary tasks must be completed by the 3rd November!!
Students must bring footage with them to begin editing on the 3rd November!!!!
A Level Media 2015
Wednesday, 15 October 2014
Tuesday, 7 October 2014
Monday, 29 September 2014
Filming Tips
Filming
Tips
Before Filming:
Go to your
filming location the day before to check out the lighting and surroundings.
Think about noise, is there a road nearby that could disrupt your sound?
Use your
storyboard to make a complete scene list. Now you are on location look to see
if there is anything that you hadn’t thought of using, or an area that is
better to use than the one you planned? If filming near or in-front of
shops/houses it is polite to ask permission first. If filming inside shops, you must certainly ask
permission.
Always take the
weather into consideration when filming outside, give yourself enough time
incase the weather postpones your filming.
Pack your
Camera, Memory Card (and spare) a tripod, a lens cloth, and an extra set of
charged batteries.
Lighting:
Before shooting,
determine where the light is coming from (front, side, or back), If backlit,
add more light so the front of your subject is lit, or move to another
location.
If necessary,
set your camera mode to match your shooting conditions, (Night, movement modes
etc.)
Avoid bright
sunlight (making sure your shadow isn’t in the shot).
If you’re
filming inside, turn on all of the lights.
Shooting:
Think about the
scene you are about to film, refer to your storyboards and how you pictured it
in your mind. Then set up your camera in an area you believe will be best. You
may not get it right first time, so try multiple shots at different angles and
positions.
Think about the
where the light is coming from and if there Is any background noise to take
into account. If you are filming dialogue try to get close enough to pick up
their voice clearly and try to stay on eye level so that the camera is neither
looking up or down on your subject.
Perspective
When a camera's
lens captures light and reflects it, the light bends in appropriate ways,
depending on the angle of the viewer. This is similar to how your eyes work:
when you tilt your head up, your eye sees things differently than if you look
straight ahead, although you may not notice it because your brain has learned
to accommodate for the perspective change. When filming your scenes, think
about how you want the images to look to the viewer and what feelings you want
the images to convey.
- Try to eliminate background noise as much as possible.
- Check your shots and make sure you are happy with them before
moving on.
- Make sure your actors speak loud and clear.
- Make sure you do not have anyone or anything in your shots that
should not be there (bags on the ground, things on a table behind etc)
Use a tripod
whenever possible.
It is unlikely
that there will not be a tripod available but just incase you are unable to get
one, or the surface you are on isn’t stable enough for a tripod, hold your bent
arm tight against your body or try to lean against a solid surface to stabilize
the shot.
Use your
camera’s auto focus mode, however check when Zooming and Panning that the shot
remains in focus (try not to zoom or pan too quickly)
Remember to
press “Record” several seconds before you cue action to begin, allow the camera
to actually start recording before your subjects begin to talk, otherwise you
may find you miss the first few seconds and you need to do another take. Also
recording a few seconds before and after a scene will make it easier to edit.
Try to capture
an establishing shot at the beginning of each scene.
Get shots that
tell the beginning, middle, and end of your story.
Change locations
and take shots from different angles and perspectives for variety.
Look for details
or objects within the scene that will help tell your story, or add them as
props and explain in your planning/evaluation why you thought they were needed.
The Mis-en-Scene of each shout must be analysed in
your blog. If you cannot explain why something is in the shot…then it shouldn’t
be there.
Watch your
footage back and be critical of your own work. If it doesn’t make sense to you,
it certainly won’t make sense to the viewer.
Make sure your
footage answers the questions, who? what?, when?, where?, and why?
Change the
position your subject or camera sometimes for a more interesting shot.
Make sure there
is no unnecessary space around the subject.
Keep the background simple.
Include a few
props that will make the shot more interesting, but do not distract from the
subject and make sure there are no objects obstructing the camera’s view.
Remember to keep
all the crews belongings (coats, scripts, bags, equipment etc) behind the camera
Make your actors
feel comfortable and relaxed by talking and interacting with them. It can ruin
your movie if it is obvious to the viewer that your actors are nervous.
If filming in
public, respect others who are using your workspace and try not to get
frustrated about people getting in your way; (they have just as much right to
be there as you do) If you feel you need people to move or be quiet simply
explain what you are doing and ask politely.
At the end of
the review your footage to ensure you have all the shots you need.
If you have to
re-shoot on another day, do so at the same time of day so the lighting matches
your earlier footage.
Friday, 26 September 2014
Pre Production Tasks
Develop and Write a final 350-500 word Script Treatment (What is your video about?)
Final Storyboard
· This means you need to cross
reference your Script Treatment and identify all the locations and setting in your
film, and organise photo-shoots for each
and every one – take more photographs than you need.
·
It also means organising colleagues
and friends to agree to pose for photographs in these locations; they do not
have to be the actors you would use for the filming if your idea was chosen -
it is just a pre production guide as pre
production changes to production are common as long as you justify the changes in your Evaluation.
·
On the storyboard, detail types of shot, camera angle and movement, types of edit, length of
shot, diegetic and non diegetic sound and all aspects of the mise-en-scene
(lighting, colour, weather, location and setting, dress code, objects and
props, facial expression and body movement). Timings of the shot are
crucial when it comes to filming – many of your shots may be only ½ second in
length while lingering close ups may be 2-3 seconds in duration.
Organise a Production Schedule and share relevant documents both as hard copy and uploaded to your Blogs and via email – these include the working Storyboard and daily Call Sheets (see example below).
Thursday, 25 September 2014
Music video analysis
Analyse the existing music video for your chosen song (if it exists) and complete some of the below...
After you have done that do an additional post discussing what you are going to do, how is it different? Try to answer the questions below for your proposal
After you have done that do an additional post discussing what you are going to do, how is it different? Try to answer the questions below for your proposal
Which video are you analysing, who is it by and, if
you know, who directed it?
What genre does the music belong to and what broad
characteristics of that genre does the video have?
What is the relationship between lyrics and visuals?
Work through the song and identify ways in which the
lyrics are illustrated or amplified or even contradicted by the visuals.
Pick out some specific examples to back up your
argument.
Explain the Narrative
Explain Representation of performers
What is the relationship between music and visuals?
Does the video cut to the beat?
Are solo instrumental bits illustrated by the video?
Does the video change pace with the music?
Give examples to support your points
Are there close-ups of the artist and star image
motifs?
How is the record company looking to sell this
track?
What image of the artist/band is being offered?
How does this video relate to previous videos by the
artist?
Are there motifs which have been used previously? Or
does this video represent a change of image?
Is there reference to the notion of looking?
Do you get the sense that the artist is on sexual
display or that other people in the video are used in this way?
Does the camerawork, costume, dance or something
else imply sexualised display?
Are there references to 'looking' such as screens
within screens or binoculars, cameras etc?
Give examples and consider why these features have
been chosen
Are there intertextual references?
Do these relate to other music videos, to aspects of
the star's image or to completely separate texts such as programmes or films?
How are they used?
Is the music video perfomance-based, narrative-based
or concept-based
How much of each?
Monday, 8 September 2014
Student Work
Student
|
Blog
|
|
AIYEDUN
Adewunmi
|
http://adeaiyedunalevelmedia.blogspot.co.uk/
|
|
BAH
Sophia
|
sophiabaha2.blogspot.co.uk
|
|
BROWN
Emily
|
http://emilyjbrowna2media.blogspot.co.uk/
|
|
BROWN
Emily
|
http://emilybrowna2.blogspot.co.uk/
|
|
CUNNINGHAM
Claudia
|
http://ccunninghama2blog.blogspot.co.uk/
|
|
DORSETT
BEARD Emily
|
http://emilydorsett-beard.blogspot.co.uk/
|
|
ELLIS
Bethany
|
http://bethellisa2media.blogspot.co.uk/
|
|
IDEH
Ochuko
|
http://ochukoa2mb.blogspot.co.uk/
|
|
LEWIS
Jordanna
|
|
|
O'BOYLE
Shauna
|
http://shaunaa2.blogspot.co.uk/
|
|
SHAND
Chelsea
|
|
|
SMITH
Lauren
|
|
|
TURELL
Lauren
|
http://laurenturellmediaa2.blogspot.co.uk/
|
|
YOUNG
Rebekah
|
Monday, 14 July 2014
Research and Planning Checklist
- Intro & Brief explained
- Intro to Production chosen. Including analysis of videos, genre, intertextuality, history, star theory, institutions and evidence of theory etc.
- Ancillary 1 Analysis
- Ancillary 2 Analysis
- Audience Research including – Target Audience analysis, Questionnaires, Focus Groups, Results Analysis and Reflection
- Initial Selection Explanation
- Copyright Letter
- Planning including timelines, moodboards, conventions followed, representation, mise en scene, Theory applied,
- Planning including Storyboards/Scripts/Call Sheets, Organisation of Actors, Props, locations, costumes
- Further Research on initial Planning with Feedback and any Changes
- Time management
- There is use of appropriate digital technology or ICT in the presentation
- Communication skills
- Care taken in presentation of research and planning
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